All posts tagged as coalpaint

19Sep2024

The Light Wins

7 paintings, each 80×200 cm, 2024
Coalpaint and coal on canvas

Untill september 30  – Biënnale Cultuurvuur – Botanical Garden of Meise (B)
Location 51 / AV – Friendship temple

 

This is the accompanying text on site:

“Come in, stand in the center of the circle, and look around. You have now stepped not only into the world of the artist, but also into that of Freemasonry.

The temple you are now standing in was founded in 1818 for the elevation of master in Freemasonry of Baron Emmanuel Vanderlinden d’Hoogvorst. That intrigued An Vanderlinden. She researched symbols in Freemasonry, and used them as building blocks in this installation. So it is by no means a coincidence that they have just become 7 paintings.

Symbols form a universal language, allowing people with different backgrounds and characters to communicate about the same topics. There is no absolute explanation for this, everyone can interpret the meaning in their own way.

In Freemasonry, the rough stone is a symbol for man, the soul. It is edited and processed in different ways in this series of paintings. The square that you find in each painting represents the cubic stone that the Freemason strives for. “The purpose is to shape the rough stone into a cubic stone, so that it can serve in the symbolic construction of the Temple.” In other words: the goal is to become the best version of yourself, so that you can contribute to a better world.

If you stand in the middle of the temple and turn around your axis, you can compare the stones in the squares. Do you see that the stones in the outermost paintings (closest to the door) are rougher, and lighter in color, than the more finely worked stones that fill the square of the painting on the opposite side of the temple?

Directly opposite the outside world, the door, is the darkest painting. While in the outer paintings the light on the coal comes from outside, in the darkest painting the light comes from within, from the finely ground coal.

Do you also see the movement the square makes? It goes through a cycle, like the sun. After all, the path to self-knowledge is not a straight line.

The rays of light in the paintings go around in 2 directions: from the west, the outer world, to the inner light, and from the inner light back to the outer world. Each painting is also a fully-fledged painting independently of the others. Because every step in the
cycle is important.

VISITA INTERIORA TERRAE RECTIFICANDO INVENIES OCCULTUM LAPIDEM

7 words. 7 paintings. Each word is the title of a painting.
This Latin proverb freely translated says : ‘Go into the depths of the earth in search of the darkest stone’.
Abbreviated: V.I.T.R.I.O.L.
Do you find these letters in the paintings?

Biënnale Cultuurvuur – untill september 30 – Botanical Garden Meise
info : www.naturainspiratus.be

Friendship Temple, location 51 / AV on the hiking map.
The temple is near “Meise Dorp” entrance, hidden in the greenery.
With your back to entrance Meise Dorp: turn right, then 100 metres further
follow the ‘KUNST ROUTE’ arrow to the left into the bush.

26Apr2022

Expo Charbon de Beringen in Hoogstraten

Galerie Expo 38

From 20 to 29 May I will exhibit my paintings in the small but beautiful Gallery Expo 38 in the Begijnhof van Hoogstraten. I will have to leave my really large works at home, but for many people a painting of 100 x 120 cm is also really big, and I’ll show a few new ones. Welcome!

You can visit the expo:
Friday 20 May: 4 to 8 pm
Saturday 21, Sunday 22 May: 1 to 6 pm
Friday 27, Saturday 28, Sunday 29 May: 1 to 6 pm

Gallery Expo 38 is located at no. 38 of the Hoogstraten Beguinage.

‘Galerie Expo 38’ – Begijnhof 38 – 2320 Hoogstraten

28Mar2018

Coal preparation plant Beringen

part 1: The most beautiful and blackest pigment, comes from …
part 2 : Coal preparation plant Beringen
part 3 : Artist Residency in old mine building

Mine shaft Beringen - AnV.be So I saw coal lying on a place that I could not reach, and popped the question, to be-MINE. If I please could collect some coal, because I want to use it in my paintings? Turned out they already knew my work, so that was allowed. Even more: I got a whole guided tour through the buildings, on the way to better coal than the one I had seen from the outside.

I’m really crazy about these old coal plants, so I was high for at least a week afterwards, from all the places I’ve seen with a safety helmet on my head.
Actually, I’m high again whenever I look at the photos I made that day. Even though most of them failed because of being taken too quickly and enthusiastically :).

But the best is yet to come: the coal, because that’s what it was all about. Coal from Beringen, the city my parents originated from. Coal from the coal mine in whose hospital I was born.

I got a few “types”, different thicknesses of coal. On sight this coal does not really look black, it is not really dark. “That’s dust,” I think, so I start by washing the smallest coal. Funny though, washing coal that you have received from a coal-washing plant. Even funnier was that the rinsing water was so thick that it did not run through the sieve, but remained on top of it. It looked like mercury. This is probably due to the magnetite that was added to the water in the coal washing plant in order to separate the coal from the stones, but I deviate.

Coal from the coal preparation plant of Beringen - AnV.besmall pieces of coal from Beringen - AnV.be

So I washed the coal, and let it dry. It still looked as light. Afterwards I grinded it to powder, added some products and rubbed it into paint.
Pigment paste made with coal from Beringen - AnV.beMy blackest coalpaint - AnV.be

Black paint. But really black paint. Much blacker than the color of the dry coal suggests that it could ever be. So black, that I started to wonder …

Do you remember the tests I was talking about yesterday, to make paint as black as possible? Guess what else is blacker than coal that has been dulled by mixing chemical products?
Exactly: coal from Beringen. :-)

Blackest coalpaint tests by An Vanderlinden

Since then I have been “slightly” possessed by this coal from Beringen. I stand up with it, and I go to sleep with it. Hours and hours and hours I’ve spent on testing, because with this, I really want to paint. I’ll tell you more about that soon. I am still trying to summarize it …. and that’s a hell of a job itself ;)

01Jan2018

Best wishes!

Black / Best wishes for a Brilliant 2018! Have a happy and healthy New Year!

Used paints:
– base/background = regular paint for art (Golden Carbon Black matte Acrylics)
– black = AnV’s blackest coalpaint
– wishes for = Stuart Semple’s Black 2.0
– brilliant 2018 = AnV’s glossy coal

24Nov2017

Black Friday?

Oh well, that’s just an ordinary day in my studio :-)

Black paint tests AnV.beBlack paint tests AnV.be

So yes, I’m still trying to create the nicest black. I have a very beautifull, very dark one, with a velvet structure. I absolutely love it. And it’s really really black. Now I’m trying to find the best way to produce it, because I have big plans for next year, and I’ll need a lot of this paint.

20Jul2017

Blacker than any black acrylic paint so far: Black 2.0 and coal.

A blacker black part 2. As I wrote in part 1, Semple’s coworker asked me if I had already made something with my coal paint. I was working on a few pieces, sent some intermediate pictures and worked like mad to demonstrate outcomes. I managed to finish them a couple of weeks ago.
But it’s difficult to show the result. A photograph does not reflect how dark, how matt that paint is. Therefor I also made videos, but they’ve been made with the same small camera (no reflex). It continuously wants to add light.

Paint with coal from Zolder

AnV - Y3 - 40x40cm studio shot: painting with black 2.0 and coal paintI made this painting with paint I made with coal from the last Belgian coalmine, Zolder; and some Black 2.0. I attached a little ceramic ‘coal vessel’ as in my ceramic Saint Barbara’s. In real life, with moderate light (*) and from a little distant, you don’t see there’s something attached to the canvas, it just seems to be a circle.
I explain which paints I used in the different parts of this canvas, in the video below. Please select the 1080HD quality.
(Click here to watch the video directly in YouTube)

My blackest black piece of art so far

The blackest black acrylic paint on ceramic - Black 2.0 and coal - anv.beis this Saint Barbara, entitled “In the name of my father, my grandfather and their friends” f2/07, Acylics and coal on earthenware, An Vanderlinden, 2017.

You don’t want to know how many hours it took me before it looked like this. Black 2.0 is very matte, and very difficult to ‘enlighten’. The difference between plain acrylic and Black 2.0 is huge. To get transitions between light and dark, I mixed Black 2.0 with plain black paint, and with matte medium. But wet paint is shiny, so the result was never predictable. Layers, lots of layers until I had the desired effect. 

So the “luminous” parts in this work are plain black paint, diluted with ordinary mediums. Only for a few accents I used gloss medium, and some coal on top, but you can see that kind of details in the short video below (Click here to watch the video directly in YouTube – please select the 1080HD quality)


Black. I have a lot to say about it, so to be continued. But not now: I really need to work in my studio.

(*) If you put a spotlight on it, it seems to be grey. So there’s still a lot of work todo before Black 2.0 comes near nanoblack.

18Jun2017

Black! Black! Black! Black I say, Black!

It’s un-be-lievable that it’s sooooo long ago since I wrote about my black, while I’m working on it day and night. Time to bring you up to speed. Well, almost up to speed. Here’s a short version of a few months testing and developing black paint. Part 1 of the story.

My own black pigment, is…

I’ve already revealed in my review of Black 2.0, that I have “my own black pigment”, which is more black then Ivory Black. But I didn’t told you what it was then, time to do that now. My own black pigment is made of … (hold your horses, I’m trying to create some suspense over here)… it… (annoying silence) … is (more annoying silence) … drumroll … … coal!
OK, I admit, you easily could have guessed that one yourself, if you know my work.

Coal from the mine of ZolderI planned for a long time to make paint with coal as a pigment, but it was the arrival of Black 1.0 and Super Base which finally got me into actually doing it. 25 Years ago, I visited the last Belgian coalmine during it’s last months,  and I took ‘some’ coal with me to use in artworks. I still have this coal, but the biggest piece is falling apart. Now I took the small pieces that came of, and grinded them in order to make acrylic paint. With Semple’s Super Base, as well as with ‘regular’ binding agents.

 

black - particles of coalblack paint tests with coal - anvblack coalpaint - anv

The first results where disappointing, but along the way I got myself a beautiful paint. Odd enough, more brown then black. Dark brown. Very dark when I combine layers, but brown.

Read more →

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