All posts tagged as coalpaint

26Apr2022

Expo Charbon de Beringen in Hoogstraten

Galerie Expo 38

From 20 to 29 May I will exhibit my paintings in the small but beautiful Gallery Expo 38 in the Begijnhof van Hoogstraten. I will have to leave my really large works at home, but for many people a painting of 100 x 120 cm is also really big, and I’ll show a few new ones. Welcome!

You can visit the expo:
Friday 20 May: 4 to 8 pm
Saturday 21, Sunday 22 May: 1 to 6 pm
Friday 27, Saturday 28, Sunday 29 May: 1 to 6 pm

Gallery Expo 38 is located at no. 38 of the Hoogstraten Beguinage.

‘Galerie Expo 38’ – Begijnhof 38 – 2320 Hoogstraten

28Mar2018

Coal preparation plant Beringen

part 1: The most beautiful and blackest pigment, comes from …
part 2 : Coal preparation plant Beringen
part 3 : Artist Residency in old mine building

Mine shaft Beringen - AnV.be So I saw coal lying on a place that I could not reach, and popped the question, to be-MINE. If I please could collect some coal, because I want to use it in my paintings? Turned out they already knew my work, so that was allowed. Even more: I got a whole guided tour through the buildings, on the way to better coal than the one I had seen from the outside.

I’m really crazy about these old coal plants, so I was high for at least a week afterwards, from all the places I’ve seen with a safety helmet on my head.
Actually, I’m high again whenever I look at the photos I made that day. Even though most of them failed because of being taken too quickly and enthusiastically :).

But the best is yet to come: the coal, because that’s what it was all about. Coal from Beringen, the city my parents originated from. Coal from the coal mine in whose hospital I was born.

I got a few “types”, different thicknesses of coal. On sight this coal does not really look black, it is not really dark. “That’s dust,” I think, so I start by washing the smallest coal. Funny though, washing coal that you have received from a coal-washing plant. Even funnier was that the rinsing water was so thick that it did not run through the sieve, but remained on top of it. It looked like mercury. This is probably due to the magnetite that was added to the water in the coal washing plant in order to separate the coal from the stones, but I deviate.

Coal from the coal preparation plant of Beringen - AnV.besmall pieces of coal from Beringen - AnV.be

So I washed the coal, and let it dry. It still looked as light. Afterwards I grinded it to powder, added some products and rubbed it into paint.
Pigment paste made with coal from Beringen - AnV.beMy blackest coalpaint - AnV.be

Black paint. But really black paint. Much blacker than the color of the dry coal suggests that it could ever be. So black, that I started to wonder …

Do you remember the tests I was talking about yesterday, to make paint as black as possible? Guess what else is blacker than coal that has been dulled by mixing chemical products?
Exactly: coal from Beringen. :-)

Blackest coalpaint tests by An Vanderlinden

Since then I have been “slightly” possessed by this coal from Beringen. I stand up with it, and I go to sleep with it. Hours and hours and hours I’ve spent on testing, because with this, I really want to paint. I’ll tell you more about that soon. I am still trying to summarize it …. and that’s a hell of a job itself ;)

11Feb2018

Testing testing one, two, square root, to the power 3

foto bereking verfontwikkeling, met rekenmachine, in het atelier van AnV.beI admit, I’m exaggerating, it’s not THAT difficult. Happily. But the mathematics I need these days is more then I can bear.
Mathematics. And Chemistry. Oooooh how I hated these words in high school! Then again: I hated high school, period.
I wanted to go to the Art school, but had to finish my ‘regular’ high school first. ‘Because if you change your mind later on, you’ll still be able to go to university” my caring parents said.

I don’t like science. I love mystery, and fantasizing. I don’t have to know how everything works, I like to be surprised and happy that something does work. What fun do you have seeing a magic trick, if somebody told you before how it works?

anv_paint_tests-bWell, that was my world in high school. Now that I’m making my own paint, to my surprise and disguise, I need Chemistry as well as Mathematics. But I wasn’t good in both. I studied Modern Languages because of that (and because I thought that was the only skill I could use later on in life). But now: how can I make a 40% solution, out of the leftovers from a 50% solution? I had no idea. And I didn’t want to start from scratch again because that means I have to spoil some material. Of course it wasn’t the most logical solution, and I didn’t had any clue how to find the correct one.

Then it crossed my mind: oh, wait a minute… Dee (my husband), studied, uhm, chemistry. And he “bragged” on a family party lately, how good he used to be in mathematics in high school. (He has a completely different career now). So: Dee, help!?

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01Jan2018

Best wishes!

Black / Best wishes for a Brilliant 2018! Have a happy and healthy New Year!

Used paints:
– base/background = regular paint for art (Golden Carbon Black matte Acrylics)
– black = AnV’s blackest coalpaint
– wishes for = Stuart Semple’s Black 2.0
– brilliant 2018 = AnV’s glossy coal

24Nov2017

Black Friday?

Oh well, that’s just an ordinary day in my studio :-)

Black paint tests AnV.beBlack paint tests AnV.be

So yes, I’m still trying to create the nicest black. I have a very beautifull, very dark one, with a velvet structure. I absolutely love it. And it’s really really black. Now I’m trying to find the best way to produce it, because I have big plans for next year, and I’ll need a lot of this paint.

20Jul2017

Blacker than any black acrylic paint so far: Black 2.0 and coal.

A blacker black part 2. As I wrote in part 1, Semple’s coworker asked me if I had already made something with my coal paint. I was working on a few pieces, sent some intermediate pictures and worked like mad to demonstrate outcomes. I managed to finish them a couple of weeks ago.
But it’s difficult to show the result. A photograph does not reflect how dark, how matt that paint is. Therefor I also made videos, but they’ve been made with the same small camera (no reflex). It continuously wants to add light.

Paint with coal from Zolder

AnV - Y3 - 40x40cm studio shot: painting with black 2.0 and coal paintI made this painting with paint I made with coal from the last Belgian coalmine, Zolder; and some Black 2.0. I attached a little ceramic ‘coal vessel’ as in my ceramic Saint Barbara’s. In real life, with moderate light (*) and from a little distant, you don’t see there’s something attached to the canvas, it just seems to be a circle.
I explain which paints I used in the different parts of this canvas, in the video below. Please select the 1080HD quality.
(Click here to watch the video directly in YouTube)

My blackest black piece of art so far

The blackest black acrylic paint on ceramic - Black 2.0 and coal - anv.beis this Saint Barbara, entitled “In the name of my father, my grandfather and their friends” f2/07, Acylics and coal on earthenware, An Vanderlinden, 2017.

You don’t want to know how many hours it took me before it looked like this. Black 2.0 is very matte, and very difficult to ‘enlighten’. The difference between plain acrylic and Black 2.0 is huge. To get transitions between light and dark, I mixed Black 2.0 with plain black paint, and with matte medium. But wet paint is shiny, so the result was never predictable. Layers, lots of layers until I had the desired effect. 

So the “luminous” parts in this work are plain black paint, diluted with ordinary mediums. Only for a few accents I used gloss medium, and some coal on top, but you can see that kind of details in the short video below (Click here to watch the video directly in YouTube – please select the 1080HD quality)


Black. I have a lot to say about it, so to be continued. But not now: I really need to work in my studio.

(*) If you put a spotlight on it, it seems to be grey. So there’s still a lot of work todo before Black 2.0 comes near nanoblack.

18Jun2017

Black! Black! Black! Black I say, Black!

It’s un-be-lievable that it’s sooooo long ago since I wrote about my black, while I’m working on it day and night. Time to bring you up to speed. Well, almost up to speed. Here’s a short version of a few months testing and developing black paint. Part 1 of the story.

My own black pigment, is…

I’ve already revealed in my review of Black 2.0, that I have “my own black pigment”, which is more black then Ivory Black. But I didn’t told you what it was then, time to do that now. My own black pigment is made of … (hold your horses, I’m trying to create some suspense over here)… it… (annoying silence) … is (more annoying silence) … drumroll … … coal!
OK, I admit, you easily could have guessed that one yourself, if you know my work.

Coal from the mine of ZolderI planned for a long time to make paint with coal as a pigment, but it was the arrival of Black 1.0 and Super Base which finally got me into actually doing it. 25 Years ago, I visited the last Belgian coalmine during it’s last months,  and I took ‘some’ coal with me to use in artworks. I still have this coal, but the biggest piece is falling apart. Now I took the small pieces that came of, and grinded them in order to make acrylic paint. With Semple’s Super Base, as well as with ‘regular’ binding agents.

 

black - particles of coalblack paint tests with coal - anvblack coalpaint - anv

The first results where disappointing, but along the way I got myself a beautiful paint. Odd enough, more brown then black. Dark brown. Very dark when I combine layers, but brown.

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