All posts tagged as Saint Barbara

29May2018

“ART Connects (?), Across Borders” – Expo in De Kantfabriek, Ninove

Sorry for the lack on blog post lately. I’m working (more then) fulltime in my studio and haven’t seen my office for a while.

Latest news: I’m participating in the group show “ART Connects (?), Across Borders” with my ceramics. The location is “De Kantfabriek” in Ninove (BE), that’s an old lace factory.
The opening show where you’re kindly invited to, is Thursday, May 31st.
The works of art I’ve seen from the other participants today are really marvellous, so don’t miss this show!

Me, I’m showing for the first time my favorite black painted ceramic Saint Barbara. I already miss her in my home, but you can take a look at here for the next month. Be kind to her: she’s fragile, and she doesn’t want to be touched without white cotton gloves. She will bite you if you act otherwise. And if SHE doesn’t: I will. That’s a promise.

affiche “ART Connects (?), Across Borders”

“ART Connects (?), Across Borders”

with Ilan Weiss | Nicolas Baeyens | Julie Scheurweghs | Feline Minne | Gino Rizzi | Caroline Vandenbouhede | Marijke Henkens | An Vanderlinden | Anna Gray | Hilde NIJS |

Openingshow Thursday, May 31st, 20:00
with Art Critic/Poet Inge Braeckman, Percussion duo As One, filmschool Narafi Brussels with sci-fi shorty “Brick the wall”

EXPO untill july first, every Saturday and Sunday from 15 – 18 hours.

De Kantfabriek, Burchtstraat 4, Ninove, Belgium

04Dec2017

To all (former) miners:

have a nice St Barbara feast!

ceramic artwork respresenting Sint Barbara with a mining lamp.

“In the name of my father, my grandfather and their friends” (f1/02)
Acrylic paint, coal & stones from the slagheap on ceramic, 2017

I made this ceramic in 2012, but I didn’t like the glaze … so I upcycled it ;-)
The stones are from the slag heap from Beringen. (I was born a stone’s throw from that slag heap ;-)

20Jul2017

Blacker than any black acrylic paint so far: Black 2.0 and coal.

A blacker black part 2. As I wrote in part 1, Semple’s coworker asked me if I had already made something with my coal paint. I was working on a few pieces, sent some intermediate pictures and worked like mad to demonstrate outcomes. I managed to finish them a couple of weeks ago.
But it’s difficult to show the result. A photograph does not reflect how dark, how matt that paint is. Therefor I also made videos, but they’ve been made with the same small camera (no reflex). It continuously wants to add light.

Paint with coal from Zolder

AnV - Y3 - 40x40cm studio shot: painting with black 2.0 and coal paintI made this painting with paint I made with coal from the last Belgian coalmine, Zolder; and some Black 2.0. I attached a little ceramic ‘coal vessel’ as in my ceramic Saint Barbara’s. In real life, with moderate light (*) and from a little distant, you don’t see there’s something attached to the canvas, it just seems to be a circle.
I explain which paints I used in the different parts of this canvas, in the video below. Please select the 1080HD quality.
(Click here to watch the video directly in YouTube)

My blackest black piece of art so far

The blackest black acrylic paint on ceramic - Black 2.0 and coal - anv.beis this Saint Barbara, entitled “In the name of my father, my grandfather and their friends” f2/07, Acylics and coal on earthenware, An Vanderlinden, 2017.

You don’t want to know how many hours it took me before it looked like this. Black 2.0 is very matte, and very difficult to ‘enlighten’. The difference between plain acrylic and Black 2.0 is huge. To get transitions between light and dark, I mixed Black 2.0 with plain black paint, and with matte medium. But wet paint is shiny, so the result was never predictable. Layers, lots of layers until I had the desired effect. 

So the “luminous” parts in this work are plain black paint, diluted with ordinary mediums. Only for a few accents I used gloss medium, and some coal on top, but you can see that kind of details in the short video below (Click here to watch the video directly in YouTube – please select the 1080HD quality)


Black. I have a lot to say about it, so to be continued. But not now: I really need to work in my studio.

(*) If you put a spotlight on it, it seems to be grey. So there’s still a lot of work todo before Black 2.0 comes near nanoblack.

AnV background image